The New Nikon D5200 Will Have Plenty Of Competition

When Nikon launch the D5200, they will be hoping that will stun all potential critics into silence. However, with the break-neck speed of technological change at the moment, that is a very big ask. Just think of all those previous revolutionary technological break-throughs that now just seem to be run of the mill. There was a time - not so long ago - when a 16 megapixel file size was greeted with astonishment, now the new D5200 will be expected to have at least 24megapixels, if not the 36 megapixel files offered by the Nikon D800. The burst speed will also be improved from 4 Frames per second to a more action friendly number, probably 8 frames per second (though Nikon could probably push it to 10 if they wanted to). Nikon will also push to extend the ISO range and noise reduction options for the potential buyers who are more interested in how the D5200 will perform in low light. These improvements may well make the new D5200 a leader in its class, but there are some pretty strong challengers out there already...

THE NIKON D3200

It seems a misnomer to call this new Nikon an entry-level camera. It boasts many functions that grace much more expensive Nikon bodies. The 24 megapixel sensor is remarkable in a camera in this price range and is a direct challenge to Canon, who can offer only 18 megapixels. The video functions are excellent, with an external stereo Mic and HD, and are going to attract a lot of attention from photographers who fancy a film making option. Nikon have bounced their 3 series for a perfectly good D3100 firmly into the driving seat with the D3200. Price 0/ £500

The New Nikon D5200 Will Have Plenty Of Competition

THE CANON REBEL T4i

This is another recent launch and a very competent performer. The Rebel T4i was supposed to dominate this class but has been usurped by the D3200. The 18MP file is smaller than the D3200, but not significantly (the D3200's file at 24MP is in fact only 16% larger as the size increase is not linear), and in most cases it would be impossible to differentiate between the two. Again Canon recognize that users may want to shoot stills and video and have given this Rebel full HD video and good quality stereo sound. Canon haven't been afraid to innovate - taking T4i a step further than the D5100 by supplying an articulated screen which is touch sensitive. They have also noted the popularity of the mirrorless CSC market and have included the innovative contrast auto-focus system. Whilst many other functions are similar to the Rebel T3i, there is enough here to give the Rebel T4i serious consideration. Price 00/ £990

THE CANON REBEL T3i

Whilst the T4i is stealing all the glory at the moment, the Rebel T3i is still an excellent camera. Remember, we are talking about the beginner-level market. The Rebel T3i has some great functionality and boasts the same 18MP sensor as the T4i and is much more reasonably priced. Just like the D5100, it has an articulated back screen and HD video modes with stereo sound. However the Rebel's burst speed is on the slow side at 3.7 FPS and there are only 9 focus points. Despite now looking a little jaded, it is a great introduction to D-SLRs and the Canon brand. Price 0/ £550

THE CANON REBEL T3

The is Canon's most basic D-SLR. Even though it only offers 12 MegaPixel files and 9-point autofocus, it is a great way to take the step up from a compact or a bridge camera. It has a great onscreen functions guide which is really useful and intuitive and helps the novice find their way around the technology. However the video falls short, offering only 720pp which, these days, is only good enough for the web. Nikon won't regard this as a serious contender to the D5200 as it is aimed at someone who is at the very beginning of their D-SLR experience. Price 0/ £375

THE PENTAX K-30

Of course the big two dominate the D-SLR classes, but for those who aren't diehard fans of either Nikon or Canon, it's worth while looking at other manufacturers. The Pentax K-30 is an excellent camera that sits towards the upper end of the entry-level range, both in price and functionality. It offers a 16 megapixel file size and, unusually, has 100% view through the viewfinder, which makes cropping much easier. Burst speed is pretty good at 6 frames per second, and the buffer has good capacity (allowing 30 frames per burst). The HD video is impressive and offers 24,25 or 30 FPS. Pentax also offer the option to power the camera with normal AA batteries which can be very useful. Designed to face the elements, it is made of toughened plastic and is completely weather-sealed. Price with 18-55mm lens 0/£650

THE SONY A57

The SLR is so entrenched in the photography psyche that it is easy to think there is no other system out there and whilst the main manufacturers are herding D-SLR users steadily towards CSC functionality, Sony have chosen a different path. The Alpha 57 is an SLT - single-lens translucent. Instead of having a moveable mirror that reflects the light to the viewfinder and then moves to allow the camera to take the shot, Sony have produced a fixed semi- translucent mirror that bounces some light to the viewfinder and lets the rest through to the sensor. Sony have used this for a while now and it can produce some pretty good results. The A57 has a 16MP sensor that are good quality, though they do need some work if shot in low light. However the advantage is that you can see the shot continuously, even when the camera is shooting at 10FPS. The HD video is competent and has a choice of 25FPS or 50FPS. It also has an innovative digital zoom and a maximum ISO of 16,000. Altogether, this is a pretty good camera for the price. Price 0/ £500

The New Nikon D5200 Will Have Plenty Of Competition
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Jeremy Bayston has worked in the photography industry for two decades. He has a particular interest in digital imagery and writes on the subject for a number of websites. Learn more about the new Nikon D5200 and its release date at http://www.d5200.org.

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